##New Released Movie ^^^The Marksman (2021)!!!Watch Full Movie Free><><>1080p%%%%
Liam Neeson’s deep-voiced, grizzled charisma, which has served him super well as a later-in-life action star, isn’t quite enough to pull The Marksman up and out of its formulaic dregs
The second directorial effort from producer Robert Lorenz, who’s been behind most of Clint Eastwood’s 21st-century films, (including Gran Torino, which this film echos in certain ways), The Marksman — which uses Neeson’s character’s skill with a rifle far too infrequently to warrant that title — is a rather humdrum slice of “good guy with a gun” dad porn Obviously, Neeson is no stranger to revenge cinema, but this is his first dalliance with problematic grumpiness ###########Watch Movie Click Here>>>>>>>>>>
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You could see how The Marksman was crafted with an Eastwood-type in mind, complete with Eastwood’s political leanings perhaps, but the film skirts the more serious issues it uses as a backdrop in order to unspool a color-by-numbers tale involving an old Marine teaching disrespectful punks a lesson In this case, the Marine is Neeson’s Arizona rancher, Jim Hanson, and the troublemakers are Cartel hitmen
Hanson, whose property rests on the US/Mexico border, is sort of vaguely bigoted His cantankerous nature is explained-away (ish) by the fact that he’s recently widowed and the bank’s about to foreclose on his land, but he’s still a man who’s perennially bothered and put out by Mexicans crossing onto his property illegally, always reporting them to Border Patrol when he spots them We also see Hanson needing quick work and being distressed when he’s denied a ditch digging job because of day laborers
Nothing is said outright about Hanson’s prejudices, which is probably a wise move, but it’s also a cowardly move that works to water down anything potentially interesting Painting him with a broad “misanthrope” brush feels like a cop-out when you see who exactly, in the movie, he’s peeved with Things are only winked at here, with phrases like “if only the government would do something about the mess down here” and “the way things are now “ It all just smacks of the creators realizing, as they roll through production, that this, possibly, was the wrong time to make this movie>>>https://t.co/xIKIJCBz3h
Hanson’s fading life, one of desolation, is interrupted by a Mexican mother and son fleeing Cartel assassins and winding up on his ranch In a quick skirmish with the killers, the mother is mortally wounded, the brother of the lead Cartel goon (Juan Pablo Raba) is taken out, and Hanson finds himself begrudgingly fulfilling a promise to the late woman to take her boy, Miguel (Jacob Perez), to Chicago to be with his cousins As payment, so that he can prevent his land from being sold off, Hanson figures he’ll use the duffle bag of Cartel cash that the mom was carrying
As you might expect, Hanson and Miguel bond during their long cross-country pickup truck trek, and the cold codger begins to warm to his companion, eventually seeing this journey as a last-good-deed mission Ultimately, it’s not a terrible story It’s watchable, in all the weakest ways that descriptor implies Just because it’s not fresh doesn’t mean it can’t be effective at times Tropes exist for a reason, as they are the easiest ways discovered to deliver emotional arcs and morality plays Of course, Neeson’s playing a reluctant killer here One who tells Miguel “there’s absolutely nothing that feels good about killing another man “ The movie itself might disagree as the genre is one designed to specifically dish out vengeance
Vikings’ Katheryn Winnick is wasted here in what’s become the all-too-common “woman on the phone” role, where, as Hanson’s stepdaughter, and a U S Border Patrol Agent, she gets a lot of scenes where she has to plead with him to come home and let the system handle things What starts off as a possibly promising part fizzles out halfway through the film and finds no closure The movie’s ending feels right enough, and dour enough, though it also just reinforces vigilantism in the ways these types of stories usually do Liam Neeson may soon be retiring his very particular set of skills Following 2008’s Taken, the actor experienced a career renaissance playing variations of the hardened hero seeking justice his own way, from Non-Stop to Cold Pursuit to this year’s The Marksman But Neeson says an end to his action film days is in sight
“Oh, yeah I think so,” he tells ET’s Lauren Zima “I’m 68 and a half 69 this year There’s a couple more I’m going to do this year — hopefully, COVID allowing us — there’s a couple in the pipeline and, then I think that will probably be it Well, unless I’m on a Zimmer frame or something “
The Marksman casts Neeson as an ex-Marine turned reclusive rancher who must protect an 11-year-old boy from drug cartel assassins “I love doing ’em I love beating up guys half my age,” he says, though he admits he had something of a revelation while filming his next flick, Blacklight
“I’ve just finished one in Australia and I had a fight scene with a kid — lovely, sweet actor called Taylor — and halfway through the fight I looked up, I was breathless and it didn’t cost him a cent, and I said, ‘Taylor, what age are you?’ He said, ’25 ‘“ Neeson laughs, “I said, ‘That’s the age of my eldest son!’”
The Marksman is in theaters Friday, while another of Neeson’s films has become an unexpected streaming hit as many people find themselves still stuck at home amid the ongoing pandemic The 2011 thriller, Unknown, in which Neeson plays a professor whose identity is stolen, recently became the most-watched film on Netflix
“I’m glad, because I thought it was a pretty cool film,” he says “In fact, we’re trying to get a TV series based on the premise of the story of Unknown” — he would sit out the action this time, instead serving as an executive producer — “so, it’s very flattering and it was lovely to hear that people have discovered this film after 10 years “
Meanwhile, although Neeson previously told ET he’s done with superhero movies (saying, “I have no desire to go into the gym for three hours every day to pump myself up to squeeze into a Velcro suit with a cape “), fans are campaigning for him to reprise his role as Zeus from Clash of the Titans in Wonder Woman 3
“I guess so, sure I mean, I’m very flattered!” he says, before disclaiming, “I wasn’t aware that the ancient Greek gods appeared in Wonder Woman I have to say, much to my chagrin, I haven’t seen kind of the Wonder Woman movies “ When informed that, indeed, they do and Zeus is father to Gal Gadot’s Wonder Woman, he grinned, “I’ll call my agent!”Liam Neeson returns in The Marksman, a simplistic but watchable low-key actioner A struggling Arizona rancher defends a Mexican boy being hunted by ruthless drug cartel enforcers The film focuses on the primary characters’ burgeoning friendship as they escape on a long road trip The chemistry between the leads carries the straightforward narrative There are no surprises between the gunplay, which is not salacious or overly bloody The Marksman is easily forgettable, but offers a welcome respite from the country’s political turmoil>>>https://t.co/xIKIJCBz3h
Liam Neeson stars as Jim Hanson, a widowed Marine veteran on the verge of losing his Arizona border ranch Jim protects his meager herd from predators with a hunting rifle near the security barrier He’s a crack sniper from two tours in Vietnam Meanwhile in Mexico, Rosa (Teresa Ruiz) gets a terrifying call from her brother He’s being chased by the local drug cartel Rosa grabs Miguel (Jacob Perez), her eleven-year-old son, and races out of their house
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Rosa pays a smuggler to take her and Miguel to a secret breach in the border fence The cartel is hot on their trail as they attempt to sneak through They run towards Jim’s truck for help He’s about to call his stepdaughter (Katheryn Winnick), a border patrol agent, when the cartel arrives The sicarios, led by the ruthless Mauricio (Juan Pablo Raba), underestimate the aged rancher A firefight ensues with deadly consequences
The Marksman is not a retread of Rambo on the border slaughtering drug goons en masse The action scenes are depicted in a fairly realistic manner A single bullet does the job when fired from a trained hand Director Robert Lorenz (Trouble with the Curve), a frequent producer of Clint Eastwood films, gives his protagonist an old school sensibility Jim is not an ass-kicking action hero, but quite effective in delivering violence Liam Neeson is more relatable as the weathered soldier protecting a child
The Marksman suffers from a lack of imagination The story goes exactly as expected with no intrigue whatsoever This is particularly evident in the cardboard supporting characters Their dialogue could have been written by a robot There are parts of the film that grind from inanity The cartel can track Jim with relative ease, while the border patrol agents fumble to even trace a phone call Jim’s stepdaughter vanishes halfway through with no explanation Her character’s only purpose is to add a feeble, humanizing element
